Tag: movies

How Porn Movies Get Their Wacky Names

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Millions of viewers a month check out the top porn sites, sifting through an equally staggering amount of content and making easily-searchable titles more important than ever. In as few words as possiblethe consensus seems to be three to five words per titleproducers often aim to summarize the plot and grab your attention. With titles like Bust a Nut in Grandma, The Little Spermaid, OMGape and Make My Ass Pregnant, theres little doubt about what youre in for. Who comes up with these cheeky titles day after day, and how?

For many of the smaller independent companies there is no team of creatives brainstorming lists of titles to be approved by the higher-ups. When generating his own titles, Lance Hart, founder of Sweet Femdom Studios and Man Up Films, takes the distribution method into consideration.

If Im putting a DVD out to sit on a shelf in hopes of someone randomly picking it up and buying it, the title has to be bold and stick out, says Hart. My newest gay DVD is titled Big Dicked Superheroes Taken Down. I need the walker-by to know that there will be men in spandex with big dicks getting roughly boned by villains. Nailing the right title is a necessity when distributing on DVD, as reprinting the box covers for a better header is rarely worth the cost.

Within the online market, the flexibility to tweak a title can translate to better earning potentialand in some cases make a previously-unnoticed movie skyrocket to No. 1 on the charts. I made a movie where Batman gets mind-controlled by a sexy superhero girl Riley Reyes and has sex with her. It didnt do so well with whatever title it had, says Hart. In the intro Batman was kind of slut-shaming Super Riley for wearing too slutty of a supersuit, so I changed the title to Slut-Shaming Batman and it was immediately the No. 1-selling VOD on GameLink.

Though Hart claims he mostly wings it, frequently creating content inspired by his set wardrobe, there is also a method to his madness.The first step in creating a successful title is to determine what Hart refers to as the bullet points of your porn. I like to consider what outfits the performers are wearing, since often thats the only difference in the beginning. Also, theres what sex acts occur. Then theres the why. Why are they in this sex situation which would be pretty abnormal in anyones natural life? says Hart. If I can cover all of this with the title, thats a win, but it has to be a short title. So Booby Ladies in Pantyhose Pounding Men with Strap-ons is a little long. I start with something like that and try to shave it down. If I cant get it right, I try a more emotional title, like Give Her Your Ass or something. Sometimes a more emotional title wins in terms of sales.

If I cant get it right, I try a more emotional title, like Give Her Your Ass or something. Sometimes a more emotional title wins in terms of sales.

Behind some of porns hottest trends, multi-award-winning director Bree Mills believes both visuals and text should hook a viewer, as its the title and the visual thumbnail paired with it that will get the clicks. As head of Gamma Films Adult Time, Mills has the luxury of working with a pre-production team of writers and content analysts to merge data insights with creative intent when determining potential movie titles. Within Adult Time, which encompasses the Netflix-type shows that we do,we have different types of projects, like TV shows with recurring series, explains Mills. At the end of the day, what gets someone to click in and watch your episode is largely dependent on what they see in the episode cover, and that line you read under the thumbnail should be just as enticing.

Last month the most engaging episodes released, the scenes people watched the longest, were scenes that had the word daughter in the title, Mills adds. The majority of top-watched had that word in the title, though not always falling under traditional family roleplay themes, so it provided insight into the importance of that keyword.

Despite the analytics, Mills stresses the importance of connecting back to the creative integrity of the project. To get outside of those Porn 101 titles, Mills prefers to think about the project on its own, outside its adult orientation, focusing instead on the visions shes bringing to life. Mills encourages her colleagues to do the same, while still maintaining an understanding of whats going to sell it. I try to make sure the work Im doing is a mix between the data-driven keyword injections and then focus on whats going to be a good title for that story you want to tell, says Mills. Forget about the fact that its an adult film. Whats going to be a good film title?

Drawing much of her inspiration from mainstream cinema, Mills prides herself on creating titles that draw interest without shortchanging the audience with traditional porn names. Most of my movies arent based on porn tropes; I use points of reference. Im like a pop-culture vulture, a huge film nerd, and one of the projects I calledHalf His Age, a film that won movie of the year last year in 2018, is inspired by a Police songDont stand so close to me, says Mills. If you listen to that song, youll hear the line. I took that nugget of inspiration and paid homage.

Mills company also encourages fans to pay homage by submittingtheir own scene and title ideas, promoting audience engagement. Several of our big content lines have been working closely with members for years on submitting story ideas and scenarios, says Mills. And oftentimes well take a scenarios from a member that includes a proposed title.

Thanks to digital content, porn titles are now peppered with data-driven keywords and no longer permanent (unless the movie still makes it to DVD). Despite these modern-day upgrades, and directors who think outside the box, there remains a large percentage of absurd porn titles topping the charts. And its easy to see why, if using the old naming formula:sex act + motivation to engage + visual identifier = silly porn title.

Read more: https://www.thedailybeast.com/how-porn-movies-get-their-wacky-names

Avengers: Endgame Review: Time Is on Their Side

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There is nothing more impermeable than time. It's fixed, constant. It may be a human construct, but it is one humanity has built atomic clocks to perfect; there is no stopping its ever-forward march. Except in sci-fi. And comic books. In those worlds, it's fluid. There are rules about not killing Hitler or betting on the World Series, but other than that, the structures of time can be bent.

This, more than anything, is the core of Avengers: Endgame. Yes, there is—as most fans expected—some time travel. (More on that later, in the spoiler-y paragraphs below.) But its deeper narrative follows a thread about the years people have devoted to Marvel heroes, the nostalgia those fans already have for them, and what the future will look like as they evolve. Luckily, in comic-book stories, the future is just as malleable as the past.

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  • First, here's what you need to know: Avengers: Endgame picks up where Infinity War left off. Thanos has wiped out half of the universe's population, and the remaining heroes (Captain America, Thor, Black Widow, Hawkeye, Iron Man, Rocket Raccoon, and the newly recruited Captain Marvel) are trying to un-snap his fingers. The other thing to note: Avengers: Endgame is very good. No movie could have fully encompassed everything that happened in the preceding 10 years and 21 films, but it is the best possible effort at trying to achieve that goal. It's nearly three hours, and none of them feel wasted. More than that, it's exactly what fans need.

    What Marvel fans, or anyone, needs in 2019 is a tricky proposition—one that plays out twofold in Endgame, with a double-helix of a plot that constantly works on two levels. First, there's the obvious: Everyone needs closure, needs to see if the Avengers can pull off saving the universe one more time. Second, they need to be rewarded for the decade-plus they've spent with these characters, the effort they've put into seeing every film.

    Endgame achieves this using one of the oldest tricks in the cinematic playbook: time travel. As everyone who noticed that Doctor Strange, Wong, and Ant-Man were largely unaccounted for at the end of Infinity War predicted, there is only one way to press Undo on what Thanos did: pull a Cher and turn back time. Though, they don't just rewind what happened and stop it. Instead, they find a more permanent solution that involves going back to retrieve the Infinity Stones before Thanos got his big purple hands on them and using their power to reverse the damage.

    This review won’t reveal if this plan succeeds at defeating Thanos, but it will say that it’s a wonderful ride and a narrative tool that provides a chance for the Avengers and their posse to revisit a large chunk of the movies in the franchise. It’s a trip that, in the best ways possible, feels like a band reuniting for a greatest-hits tour, one where the songs gets played by a frontman or frontwoman who wasn’t on the original track—some Traveling Wilburys covering a George Harrison track, Jay-Z and Nas ending their beef to perform “Dead Presidents,” and Beyoncé reuniting Destiny’s Child at Coachella all rolled into one. (In this case, it’s more like “Rocket goes to Asgard” and extended beats of Bruce Banner explaining science to The Ancient One.) It’s a service to every fan who remembers those early films fondly, and a final tug on the threads that have held the franchise together since the beginning.

    This kind of nostalgia is delicate, though. It’s tempting to want to go back to the first arc in these heroes’ journeys, the origin stories when they were ascending. It might even be tempting to just go back to 2008, before Mueller reports and Harvey Weinstein investigations and Michael Jackson documentaries, when it seemed easier to believe in heroes in general. That’s impossible, and foolhardy. Longing for those days is akin to longing for a time of ignorance, a time when all the superhero movies were led by white dudes. Everything has changed, and while revisiting days of future past is fun, time (in our world) only moves forward, and the future is more important than what’s come before. Or, to borrow a phrase from Tony Stark, “That’s the hero game—part of the journey is the end.”

    Acknowledging this reality is Endgame’s strongest suit. Because while it spends a fair amount of its second act playing to its base (with some excellent surprise cameos), it spends its final third establishing its new world order. In one of the film’s most telling moments, Captain Marvel—sporting a haircut sure to be the toast of Lesbian Twitter for months—charges into battle flanked by the franchise’s women heroes, the MCU’s version of a Time’s Up meeting (remember this?). Marvel’s Phase 4 is still fairly uncertain, but if Endgame has any takeaway it’s that the future is female. And less white. And at least a little bit queer.

    Avengers: Endgame could become the biggest movie the world has ever seen: It may make nearly $1 billion in one weekend. Theaters are staying open around the clock to keep up with demand. It’s the culmination of 11 years and 21 films—an unprecedented feat that may never be repeated. The only thing that may come close is December’s Star Wars: The Rise of Skywalker, which will be the ninth film in a nostalgia-filled franchise spanning more than four decades. That film, too, will see the reins handed over to a new generation of heroes, folks whose chance to lead is long overdue. Endgame is a beautiful, massive finale—and it paves the way for all the warriors to come. It’s about time.


    Read more: https://www.wired.com/story/avengers-endgame-review/

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